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He goes back to writing, and I either go back to the lounge or go back to work at home to work on whatever we spoke on. He lays down what verse he’s working on, then you get like a minute to shoot some ideas back and forth with him. Literally, I’ll go to the studio and be with him for 12 hours a day. It’s really, he goes to work, and if you are not contributing to what he’s working on in the moment, he probably doesn’t want you in the room anyway. It’s not like another rap session where six of those hours are shooting the shit and just smoking weed. And those six days, it’s a minimum of eight to 10 hours a day. He’s literally in the studio at least six days a week. How many months were you in the studio with him when he was making this album? I ended up playing keys once Wayne had half a record to it and a little bit extra. Avenue sent the beat to Angel, and Angel made a couple a little switches to something, and they asked me to add some keys to it, and that’s how I ended up getting involved. The single “Glory” is the first song off the album. It’s more condensed to the original formula. Myself, Develop, StreetRunner, Cool & Dre, Kane. I think now the circle is definitely smaller and more condensed to people he’s been fucking with since 2007. Around Carter IV time when he got out of prison, there were a lot of new faces and a lot of new shit that was around a circle, which tends to happen when you become the biggest artist in the world. Yeah, that’s kind of something that’s different now. It’s never really like, “Hey, it’s go time,” kind of thing because with him it’s always go time. If not, I’ll probably pass by the studio like once a week just to drop off some new shit or whenever. Randomly, he’ll hit me up whenever he has an idea. I know he’s always working and he never takes a day off.
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Carter.” It’s not really that he reaches out for beats, we’re just always on shit. Wayne and I kind of have always been working since “Mr. Follow him announced the Free Weezy Album in February. We spoke with him about the FWA sessions, haters, and why Weezy is still musically relevant in 2015.Įric Diep is a writer living in New York. Whether or not you are feeling FWA, Infamous thinks that people are quick to judge Wayne and that he’s back on his grind, creating some of the best music of his career. He’s worked with Wayne since 2007 and has watched him evolve as an artist from Tha Carter III to his current output. Carter” and the CV single “Krazy” is one of the few names that Weezy tapped for this album. If there’s one thing you can’t take away from Wayne it is that he’s the hardest-working MC in hip-hop. It certainly hasn’t stopped him from going back into the studio and recording more.
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The 32-year-old rapper should be used to polarizing opinions by now. Some fans say FWA is his most focused project to date, while others believe it’s another letdown (read our initial review here) on par with January’s Sorry 4 the Wait 2. So how does it stack up? Does Wayne have heat or nah? It’s a Tidal exclusive, an inaugural release from one of the latest artists to join Jay Z’s streaming service as co-owner.
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Tha Carter V is still in release date limbo, so Weezy went against Cash Money with the Free Weezy Album on July 4. Lil Wayne’s beef with Cash Money Records still has no solution in sight, but that hasn’t stopped the self-proclaimed Best Rapper Alive from putting out music for his fans.